Progetto Martha Argerich
italianoPerformers
Eduardo Hubert
He received a diploma from the National Conservatory in Buenos Aires, where he studied with Antonio De Raco, of Vincenzo Scaramuzza’s School. In 1974 he moved to Italy for further piano studies with Fausto Zadra, Carlo Zecchi and Guido Agosti as well as conducting studies with Franco Ferrara and Leonard Bernstein. He received the “Licence de concert” and “Prix de virtuosité” from the Lausanne Conservatory. He has dedicated himself mainly to chamber music, which is the subject he teaches at the Karlsruhe and Pescara conservatories. He has worked together with artists of the caliber of Martha Argerich, Sandor Vegh, Franco Petracchi, Ivry Gitlis and so on. He attended Franco Evangelisti’s courses in electronic music at the Santa Cecilia Conservatory in Rome, and he undertakes research projects as a founding member of the Suono-Immagine [Sound-Image] group. He has created and conducts the “A. Lualdi” Molise Chamber Orchestra and the Adriatic Philharmonic Orchestra. Since 2000 he is the artistic coordinator of the Festival Martha Argerich that takes place in Buenos Aires. Since 2006 he has been working with Venezuela’s youth orchestra network.
Performances
- Sunday 30.06.2002 - 20:30
- Monday 21.06.2004 - 20:30
- Saturday 26.06.2004 - 11:00
- Saturday 26.06.2004 - 20:30
- Sunday 27.06.2004 - 20:30
- Tuesday 26.06.2007 - 20:30
- Monday 23.06.2008 - 18:30
- Tuesday 24.06.2008 - 20:30
- Thursday 26.06.2008 - 20:30
- Friday 27.06.2008 - 18:30
- Thursday 25.06.2009 - 20:30
- Monday 29.06.2009 - 20:30
- Tuesday 22.06.2010 - 20:30
- Thursday 01.07.2010 - 20:30
- Thursday 30.06.2011 - 21:00
- Monday 11.06.2012 - 20:30
- Saturday 16.06.2012 - 20:30
- Saturday 23.06.2012 - 20:30
- Thursday 13.06.2013 - 20:30
Works Performed
- Alard - Fantasia sulla Traviata op. 38, per violino e pianoforte
- Antheil - Ballet mécanique for four Pianos and Percussions
- Bacalov - Il Postino: The postman (suite from the original soundtrack)
- Bernstein/Miller - From "West Side Story"
- Bernstein/Miller - Medley da "West Side Story"
- Brahms - Two Lieder for Mezzo-Soprano, Viola and Piano, Op. 91
- Castelnuovo-Tedesco - Walzer dalla suite per due pianoforti "Alt Wien"
- Fernandez - Jongo (black dance)
- Ginastera - Los trabajadores agricolas. Da "Estancia"
- Ginastera - Tres danzas argentinas
- Guastavino - Romance de Ausencias (Romance of Absences) for Chorus and Two Pianos (Ricardo Rojas)
- Hoch - Orchestral Sketches for 3 pianos
- Hubert - Malambo
- Hubert - Humauala
- Hubert - Fantango
- Mozart - Fantasia in C min. K 475
- Mozart/Grieg - Fantasia in C min. K 475
- Piazzolla - Libertango, Oblibion
- Piazzolla - Tres minutos con la realidad
- Piazzolla - Five tangos (transcription by Eduardo Hubert)
- Piazzolla - Three tangos (transcription Eduardo Hubert)
- Piazzolla - Tangos
- Poulenc - La fraîcheur et le feu (Paul Éluard)
- Ravel - Don Quichotte à Dulcinée (Paul Morand)
- Rieti - Suite champêtre for two Pianos
- Rodgers/Miller - Medley
- Saint-Saëns - The Carnival of the Animals
- Schönberg - Drei kleine Klavierstücke
- Schubert - Der Hirt auf dem Felsen (The Shepherd on the Rock), Lied for Soprano, Clarinet and Piano, Op. Posth. 12, D965
- Schumann - Romanzen für Frauenstimmen, Op. 69
- Schumann - Erinnerug from "Bunte Blätter" Op. 99
- Schumann - Romanzen für Frauenstimmen Op. 91
- Schumann - Marsch, from "Album für die Jugend"
- Schumann - Humoreske, Op. 20
- Schumann, Villa-Lobos, Ginastera, Schönberg, Hubert - Programma da definire
- Turina - Sestetto con pianoforte op. 7 - “Scène andalouse” per viola, pianoforte e quartetto per archi
- Villa-Lobos - Chôros No. 5
- Wagner/Reger - “Tannhäuser” Ouverture for 2 pianos
- Weissenberg - Tableau II
- Weissenberg - Tableau II
- Wilberg - Fantasy on Bizet's Carmen di Bizet for 2 pianos (4 hands)