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Quilisma
Cultura e suoni dal Medioevo e dal Rinascimento
Domenica 15 novembre 2015 alle 10:00
Quando a cantare sono (anche) le marimbe
Composta tra il 1349 e il 1363 dal monaco francese Guillaume de Machaut, la Messa di Notre Dame costituisce una pietra miliare nella storia della musica. Si tratta della prima composizione nella quale Kyrie, Gloria, Credo, Sanctus e Agnus Dei, trattati polifonicamente, sono designati con il termine 'Messa'. Per la prima volta, essi sono opera di uno stesso compositore il cui nome sia noto, come anche nuovo è l'impiego delle quattro voci. Machaut, inoltre, è tra i primi a intuire i procedimenti e le tecniche con i quali la musica può meglio esprimere i significati del testo. In occasione del Festival Cantar di Pietre è stata presentata in maniera assolutamente suggestiva: un alternarsi tra il canto monodico e le parti polifoniche elaborate strumentalmente da un ensemble di Marimbe. In campo le voci dell’ensemble femminile Adiastema e gli strumentisti del Drum Head Percussion Ensemble guidati da Leandro Gianini.
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