%20--%3e%3csvg%20version='1.1'%20id='Layer_1'%20xmlns='http://www.w3.org/2000/svg'%20xmlns:xlink='http://www.w3.org/1999/xlink'%20x='0px'%20y='0px'%20viewBox='0%200%20100.6%2073.7'%20style='enable-background:new%200%200%20100.6%2073.7;'%20xml:space='preserve'%3e%3cstyle%20type='text/css'%3e%20.st0{fill:%23AF001E;}%20.st1{fill:%23FFFFFF;}%20%3c/style%3e%3cg%3e%3crect%20class='st0'%20width='100.6'%20height='73.7'/%3e%3cpath%20class='st1'%20d='M25.2,36.3l-0.5,2.3c-0.2,0.7-0.2,1-0.2,1.2c0,0.5,0.2,1,0.5,1.6L31.5,53c0.5,0.9,1,1.3,2.3,1.3h5.9%20c0.8,0,1.7-0.5,0.8-1.8l-7.9-13.1c2.7-1.7,5.6-4.1,5.6-9.3c0-6.8-3.8-10.6-12.2-10.6H13.9c-1.1,0-1.4,0.4-1.4,1.5v32%20c0,1.1,0.3,1.5,1.4,1.5h5c1.1,0,1.4-0.4,1.4-1.5V26h5.2c3.3,0,4.8,1.2,4.8,4.2c0,2.8-1.2,3.6-2.5,4.2C26.3,35,25.7,34.3,25.2,36.3z%20'/%3e%3cpath%20class='st1'%20d='M45.9,48.8L45.3,53c-0.1,0.8,0.3,1.1,1,1.2c1.6,0.2,5.5,0.5,9.4,0.5c8.6,0,14.9-2.8,14.9-10.9%20c0-4.7-2.1-8.3-9.2-10.1l-4-1c-2.7-0.7-4-1.6-4-3.6c0-2.8,2.6-3.4,5.1-3.4c3.4,0,6.8,0.3,8.1,0.4c1.4,0.1,1.8-0.1,2-1.2l0.7-4.1%20c0.1-0.8-0.3-1.1-1-1.2c-1.6-0.2-5-0.5-9.4-0.5c-9,0-13.3,3.9-13.3,10.1c0,5.6,3,8.9,8.3,10.3l4,1c3.3,0.9,4.7,1.8,4.7,3.9%20c0,3-2.1,3.6-7.1,3.6c-2.3,0-6.2-0.3-7.6-0.4C46.5,47.4,46.1,47.6,45.9,48.8z'/%3e%3cpath%20class='st1'%20d='M79.4,52.9c0,1.1,0.3,1.5,1.4,1.5h5c1.1,0,1.4-0.4,1.4-1.5v-32c0-1.1-0.3-1.5-1.4-1.5h-5%20c-1.1,0-1.4,0.4-1.4,1.5V52.9z'/%3e%3c/g%3e%3c/svg%3e)
Reteduecinque
Lunedì 05 settembre 2016 alle 16:35
I due musicisti ticinesi Sandro Schneebeli, chitarrista e Max Pizio, saxofonista e polistrumentista, hanno fatto visita a Reteduecinque per raccontarci del loro affascinante progetto musicale e presentare il loro ultimo CD correlato ad esso. L'originale performance che propongono si svolge in un ambiente assolutamente buio. Gli ascoltatori vengono accompagnati da guide cieche nel locale completamente oscurato. Non possono orientarsi, non vedono gli altri partecipanti e neppure i musicisti. Il duo suona diversi strumenti musicali. L’atmosfera della musica è amichevole, alpina, in associazione alla musica orientale e jazz. Quando inizia il concerto, gli ascoltatori possono riconoscere alcuni strumenti, mentre altri li scopriranno solo col tempo. L'assoluta tranquillità del pubblico deriva dalla grande concentrazione messa nell’ascolto. Oltre ai suoni, non vi sono distrazioni. La presunta distanza dai musicisti cambia continuamente, a seconda del tipo di musica e dell’impiego degli strumenti. Un'esperienza sensoriale da non perdere.
Max Pizio
Estival Jazz 2015. Nella foto Sandro Schneebeli durante l'esibizione con i Talking Drums.
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